Oonagh LahrTHIS WOODEN O |
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When I was a teenager I was hooked on James Thompson’s long atheistic poem, The City of Dreadful Night, which I read in the Rationalist Press edition my father had given me. The frontispiece was Durer’s famous Melencolia that aptly illustrated my mood as I used to go around reciting the poem to myself with a fierce joy in its nihilism. But Durer’s Melencolia also led me to explore the rest of his work and after a while I had postcards of Durer’s paintings and engravings all over my bedroom wall. As I explored Greek Mythology, I came to prefer the German master’s Apollo in the British Museum. By the time I came into the Sixties there were sunny intervals in my moods, which inspired me to inject into my translation of Paul Fleming’s Elsabe the entirely additional line, ‘the sun in your hand is mine’. I am proud of my progression out of Melencolia into Durer’s blazing Sol. Oonagh Lahr |
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A selection of 16 poems fromTHIS WOODEN Oby Oonagh LahrPart I
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Illustrations: Dürer, Apollo & Diana c. 1500, Pen
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